Skip to main content

NINA SEES TEACHING AS THE HEART OF HER WORK

Nina has participated in numerous pedagogy seminars and has been teaching a wide range of college courses, including Ancient Greek, Latin, Classics, Theater, Literature, and Religion courses of various levels, since 2005. In teaching Nina strives to use her passion and enthusiasm for the material to spark her students’ curiosity and desire for learning and to create a comfortable environment where students are encouraged to voice their opinions freely, while fostering intellectual rigor, creativity, and analytical skills.

At Columbia University Nina taught both Intensive Ancient Greek and Intensive Latin to dedicated graduate and undergraduate students, covering all the basics of Greek and Latin grammar in one semester. She was subsequently awarded a fellowship to teach the course Literature Humanities, in Columbia’s Core Curriculum, a rigorous survey of the literary canon from Homer to Virginia Woolf that is required for all first-year Columbia college students. In 2010, Nina’s students nominated her for the Award for Teaching Excellence in Literature Humanities. In 2013 Columbia University’s Classics Department also nominated her for the Presidential Award for Outstanding Teaching, awarded yearly to three Columbia University graduate students.

Teaching
Photo Courtesy of CYA

In her 6 years teaching at Connecticut College Nina taught 16 distinct courses, helping to reinvigorate the Classics Department and inspiring numerous students to study Classics and the Ancient World. In ancient language courses, she taught a variety of authors, from Homer to Plato, and Plautus to Pliny. Her courses in translation ranged over drama, mythology, classical reception, comparative literature, and a course on ancient Greek beliefs, attitudes, and rituals regarding death. To connect the ancient material to our world today, Nina regularly took students to modern performances and exhibitions inspired by the Ancient Greeks: from Strauss’ Elektra at the Metropolitan Opera, to Trinity Rep’s black odyssey in Providence, Martha Graham’s Greek-inspired dances at the New York City Center, and the Slater Museum in Norwich, CT. As part of her upper-level Greek course on the Odyssey in 2018, Nina took her students to Greece, traveling to Athens, Corinth, Epidaurus, Mycenae, Pylos, Olympia, and Delphi, a trip designed and organized by her. This experience was life-changing for the students  as they wrote enthusiastic reviews, as well as reflections for the college website and the student paper

Photo Courtesy of CYA

At College Year in Athens Nina teaches Greek Drama and Ancient Greek Mythology and Religion. Her aim is to bring out the myths’ diverse interpretations and she focuses on their significance, value, and relevance in both antiquity and modern times, tracing the ways in which Greek myth has been received, interpreted, and reimagined across time. The course includes numerous field trips both to archaeological sites (the Acropolis, the Theater of Dionysus in Athens, the sanctuary of Demeter at Eleusis, the sanctuary of Artemis at Brauron) and to modern reimaginings of these myths (from Poreia Theatre’s production of Prometheus Bound to Cherubini’s opera Medea at the Greek National Opera). Nina hopes that the stories of the Greeks can help students place their own experiences within a larger framework and can eventually assist them in dealing with their personal struggles and difficulties – injustice, isolation, disease, death, loss, intergenerational conflicts, family tensions, peer struggles – issues that the Greek myths are keenly interested in and issues that we are all required to face at some point in our lives. 

CYA Spring 2022 student, Sarah Reid, discusses her experience in Nina’s Mythology course in her blog piece It was Impossible to Stay Uninterested: Studying Myth and Religion at CYA.

CYA Spring 2023 student, Meredith Neid, writes about how the study of myth helped her in gaining a better understanding of Modern Athens. Read her piece here: “Understanding Modern Athens through the Study of Greek Myth”.

CYA Fall 2024 student, Max Wright, writes about their experience studying Greek Theater in Athens and the value of seeing ancient drama live. Read their full piece here:
From Michigan to the Odeon: How Seeing Greek Theatre Live Changed My Perspective

Nina believes that studying the Ancient Greeks – their literature and culture – can instigate discussion on significant issues, can help us understand human nature and human difference, gain a deeper appreciation of ourselves and others, and think deeply about the way we operate and co-exist in our societies. Nina is also driven by her goal of teaching the Ancient Greeks to elicit sympathy and compassion for human beings across time and across the globe in order to help students become responsible citizens of the world. 

Read more about her thoughts on the value of teaching Classics in the 21st century in her piece Awakening Compassion Through the Greeks.

Nina demonstrated the significance Classics has in the modern world. 

Connecticut College 

“Ancient Comedy” student

My professor was SO enthusiastic about the material. Honestly probably one of the most passionate in their field. Her love for Greek mythology became infectious amongst the class. Her energy level was also constant almost every day, there weren’t down days/off days. 

Connecticut College 

“Myth” student

I thought the professor did an excellent job synthesizing the important points in the class discussions while also giving us opportunity to explore and search for the answers ourselves.

Connecticut College 

“Death in Ancient Greece” student

Nina did a great job making the texts accessible to students. Greek mythology has been associated with elitism and upper-class learning in the past, so it’s awesome to have a professor who makes the texts accessible for students who study a variety of different subjects and who have varying levels of familiarity with ancient Greece.

CYA

“Myth” student

Interdisciplinary Collaboration

Nina is also a strong proponent of interdisciplinary study. To enrich her students’ experience, to provide another perspective to the material studied, and to bring together students of diverse fields and backgrounds she has collaborated extensively with colleagues in Theater, Art History, Philosophy, Botany, Archaeology, and Sociology. At Connecticut College Nina organized a number of interdisciplinary events and collaborated, as an example, with Professors in Theater for evenings of dramatic Greek tragedy readings and with a Professor of Botany for Botanical Latin tours of the college’s arboretum. At College Year in Athens Nina seeks out collaborations with colleagues in other fields and collaborates extensively with Sociology Professor Rosa Vasilaki; together they have organized a number of team-taught field trips, while they are planning a team-taught course on Ancient and Modern Greek Values of Life and Death. Their pedagogical approach strives to connect the ancient material to modern sociological issues. Through their collaboration they aim to bring the classical material to life through the lens of sociology and to provide greater depth to the contemporary sociological material through comparisons with analogous issues in the ancient world. The two of them presented their approach during a workshop on pedagogical methods at the Society for Classical Studies (SCS)/Archaeological Institute of America (AIA) annual conference in January 2023 in New Orleans.

Photo Courtesy of CYA

List of Courses Taught

At College Year in Athens

Spring 2020- Spring 2025

  • Ancient Greek Mythology and Religion (REL 332)

Spring 2024

  • Ancient Greek Mythology and its Reception (CLAS 111)

Fall 2023 & Fall 2024

  • Greek Theater: Ancient and Modern (LIT/THE 325)

At Connecticut College

Spring 2019

  • Greek Theater and Contemporary Adaptations (THE 220)

Fall 2018

  • First Year Seminar – Exploring the Greeks: their values and monuments (FYS 108)
  • Greek Mythology in Performance (THE 102)

Spring 2018

  • Homer’s Odyssey (GRK 233/333)
  • Greek Tragedy (CLA/THE 204)
  • Elementary Latin II (LAT 102)

Fall 2017

  • Roman Drama (LAT 325)
  • Elementary Latin I (LAT 101)
  • Classical Mythology (CLA 104)
  • Botanical Latin (BOT 299F)

Fall 2016 – Spring 2017

  • Ancient Comedy (CLA/THE 222)
  • Latin Epic Poetry: Lucretius and Ovid (LAT 328)
  • Facing Death in Ancient Greece (CLA 215)
  • Elementary Greek I-II (GRK 101 and 102) 
  • Greek Drama (GRK 225/325)
  • Botanical Latin (BOT 299F)

Fall 2015 – Spring 2016

  • Classical Mythology (CLA 104: 2 sections)
  • Greek Tragedy (CLA 204)
  • Greek Oratory: Lysias, Plato, Sophocles (GRK 231/331) 
  • Elementary Latin I and II (LAT 101 and 102)

Fall 2014 – Spring 2015

  • Roman Comedy and Tragedy (LAT 223/323)
  • Plato and Attic Prose (GRK 211/311)
  • Elementary Latin I and II (LAT 101 and 102)
  • Classical Mythology (CLA 104)

Fall 2013 – Spring 2014

  • Ancient Comedy (CLA 222)
  • Xenophon and Attic Prose (GRK 312)
  • Elementary Latin I and II (LAT 101 and 102)

At Columbia University

Fall 2011 – Spring 2012
Fall 2009 – Spring 2010

  • Literature Humanities: Homer to Woolf C1001-2 in Columbia’s Core Curriculum      

Summer 2009

  • Classical Mythology 3310 (Literature and Art)

Fall 2007 – Spring 2008

  • Intensive Elementary Greek 1121
  • Intermediate Latin II 1202: Ovid, Seneca, Pliny

Fall 2006 – Spring 2007

  • Intermediate Latin I 1201: Cicero & Catullus
  • Intensive Elementary Latin 1121
  • Greek Prose Composition 4139 (Substitute Instructor)
  • Latin Epistolography 3000: Cicero & Pliny (Substitute Instructor)

Fall 2005

  • Teaching Assistant for Elementary Latin 1101

FIELD TRIPS

CYA Field-Trips to performances and periodic art exhibitions

  • Gluck’s Iphigeneia at Aulis, Greek National Opera, October 2024
  • Euripides’ Bacchae, National Theater of Greece, September 2024
  •  Aristophanes’ Birds, Odeon of Herodes Atticus, September 2024
  • The Battle of Chaironeia, Museum of Cycladic Art, March 2024
  • Sophocles’ Oedipus Tyrannus, Iasmos Production, Odeon of Herodes Atticus, September 2023
  • Sophocles’ Electra, Ars Aeterna Production, Odeon of Herodes Atticus, September 2023
  • Euripides’ Hippolytus, National Theater of Greece, September 2023
  • Cherubini’s Medea, Greek National Opera, May 2023
  • Martha Graham and Greek Myth, Hellenic American Union, November 2022
  • Poreia Theatre’s Prometheus Bound, Vrachon Theater, September 2022
  • Kallos, the Ultimate Beauty, Museum of Cycladic Art, December 2021
  • Poreia Theatre’s Prometheus Bound, Odeon of Herodes Atticus, September 2021
Connecticut College Field-Trips to performances

  • Luis Alfaro’s Mojada, The Public Theater, New York, July 2019
  • Marcus Gardley’s Black Odyssey, Trinity Rep, Providence, January 2019
  • Richard Strauss’ Elektra, Metropolitan Opera, New York, March 2018
  • Aquila Theatre’s Our Trojan War, Brooklyn Academy of Music, April 2017
  • Richard Strauss’ Elektra, Metropolitan Opera, New York, April 2016
  • Night Journey and Cave of the Heart, Martha Graham Dance Company, New York City Center, April 2016
  • Sophocles’ Women of Trachis, Barnard/Columbia Ancient Drama Group, New York, April 2016
  • Euripides’ Ion, Barnard/Columbia Ancient Drama Group, NYC, April 2015
  • Aeschylus’ Choephoroi, Barnard/Columbia Ancient Drama Group, New York, April 2014
Connecticut College Field-Trips to museums

  • Slater Museum: Greek and Roman galleries, Norwich, CT, November 2017
  • Metropolitan Museum of Art: Greek and Roman Galleries (tour by Joseph Alchermes, Professor of Art History, Connecticut College), April 2015
  • Lyman Allyn Art Museum: Ancient Shipwrecks exhibit (tour by Joseph Alchermes, Professor of Art History, Connecticut College), October 2014
  • Metropolitan Museum of Art: Greek galleries (tour by Molly Allen, Ph.D candidate in Classical Studies, Columbia University), April 2014